Introduction [An Abridged History of Europe]

AN ABRIDGED HISTORY OF EUROPE 
by William M. Brinton 

Introduction

The Bean King (Flanders, 1637-39), Jacob Jordaens, Oil on canvas (157 x 211 cm), Museum of the Academy of Arts, Petrograd (1922)
The Bean King (Flanders, 1637-39)
Jacob Jordaens
The State Hermitage Museum

An Abridged History of Europe was inspired by a great affection for history. Only history scholars love history and these scholars have managed to turn off the generation that entered school five or more years ago. Too many names and dates would not allow students to love experiencing history. It helps if a writer lived through some of the history he describes. I was a Navy pilot in the Pacific during World War II. My carrier was sunk by enemy action in the Battle of the Philippines of October, 1944. My formative years carried me through the Great Depression (1929 - 1939) and Franklin Roosevelt's New Deal. Yale University, World War II, law school at the University of Virginia, Vietnam – as an inspector of an immoral war – the almost impeachment of Richard Nixon and Bill Clinton. Clinton survived a vote of the Senate to remove him from office and the Millenium is just around the corner.


The Juggler (1943), Marc Chagall, Oil on canvas, (109.9 x 79.1 cm), The Art Institute of Chicago
The Juggler (1943)
Marc Chagall
Mark Harden's Artchive

In writing this abridged history, I explored art on a large scale for inclusion in the text. To me, art is a visual history as well as a commentary on sociology. Thus, a battle reduced to a painting by one of the master painters whose art was in the public domain was a history of one day in that battle. See for example, Peter Paul Ruben's subdued painting of a battle during the Thirty Years' War (1618 - 1648). Architecture, sculpture, and objets d'art help selection of other ways to illustrate history. The ceiling of the Sistine Chapel, for example, was the glorification of religion, with Da Vinci and Michelangelo. As time passed, the art became more realistic during the Renaissance. During the 18th and 19th centuries, some of the great Dutch and Flemish artists painted and thrived on other subjects, such as Josef Israel's Fisherman and Child and Jordaen's Bean King, or Jan Steen's The Tric Trac Players. During this same time period, the great museums of the world, such as the Louvre in Paris, the Metropolitan in New York, the Hermitage in St. Petersburg and the Prado in Madrid grew famous and only recently reduced their art to digital images to allow people on the Internet to see them as they hung in museums around the world. Then there were the Impressionists like Chagall, Matisse, Monet, Manet and Toulouse-Lautrec, for example, see www.artchive.com/artchive/artists.html for pages on artists from most periods.

This history text has been written to minimize tedious detail and maximize the pleasure of learning to enjoy history. It attempts to show how we got to the third millennium. Despite wars in just about every century somewhere in the world, we have managed to survive, something Indonesia is determined it will withhold from the people of East Timor who merely voted for independence.


William M. Brinton
September 12, 1999



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All contents © 1999 William M. Brinton